![]() Bellamy howls "You and I must fight for our rights/You and I must fight to survive" during the riotous, Rush-like megalomania of "Knights of Cydonia," and it's true - they've totally fought for their craft on this one. ![]() The sultry, swaggering "Supermassive Black Hole" and the razor-edged, paranoiac "Assassin" are prime examples of how adamant Muse are about delivering the biggest rock & roll package possible, while "Starlight" proves they can write a radio-worthy anthem without jeopardizing their ethics. Though frequently compared to Queen's Freddie Mercury and Radiohead's Thom Yorke, Bellamy comes into his own as a vocalist here, and he, drummer Dominic Howard, and bassist Chris Wolstenholme pull equal weight as instrumentalists throughout. "Take a Bow" sets the scene by layering full rock orchestration with waves of synthesizers and percussion, all of it building up to vocalist/guitarist Matthew Bellamy's aching observance of a world torn apart by its own instability. Rich Costey joins Muse in the co-production of this 11-song set together, they create the band's most realized and meticulous album to date. Whether or not you championed the grand dramatics of Absolution, it was obvious that Muse are a solid and unique band, and Black Holes and Revelations, the follow-up, confirms those strengths with a passion. While British fans have praised Muse for years, it wasn't until 2003's Absolution that Americans discovered the band and gave them their rightful props. Since forming in 1997, alternative rock trio Muse have ambitiously created a sound of their own, mixing elements of glam, pop, and symphonic music into a rock hybrid.
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